Thursday, February 15, 2018

2018 Interview with Playwright Phil Olson

Playwright Phil Olson is best known for his popular, hilarious DON’T HUG ME musical plays written with brother Paul Olson, that are crowd favorites wherever they are performed.  His comedy, A NICE FAMILY GATHERING, played at Group Rep Lonny Chapman Theatre in 2016, has been nominated for an NAACP LA Local Award for Best Ensemble.   Phil shares with us some details about his life as a writer and how “Don’t Hug Me, We’re Family” came about.

written by Steve Peterson

When did you start writing plays?  Do you have any favorites?

I wrote my first play “Crappie Talk” in 1997. I was 40 years old. I got a late start. I currently have 15 published plays, 9 of them are published by Samuel French. It’s hard to say which play is my favorite. They’re like children to me. With that, I have to say, “A Nice Family Gathering” is at the top of the list because it’s such a personal story. It’s about my family, and because it has played in 140 cities around the world, I’m thrilled that so many theatres have embraced it. It’s also been optioned to be made into a movie which is very flattering.

It’s been more than 20 years since you wrote “Crappie Talk” with a storyline and characters that continued in your “Don’t Hug Me” series of musicals.  What generated the idea to go back and turn the play into a musical?

I loved the story in "Crappie Talk", and it had a nice run at the Group Rep Theatre playing for 16 weeks. It was my first play, and even though it did very well commercially and won a lot of awards, there were problems with it that I wanted to fix. I cut down the number of characters, cut down the number of scenes, added 14 original songs (with my brother) and orchestrated 12 radio jingles. Since the setting is the same as that in the "Don’t Hug Me" musicals, the other changes came fairly easily.

What is the premise of "Don’t Hug Me, We’re Family"?

Set in a little north woods Minnesota town, the host of a radio show devoted entirely to ice fishing loses his only advertiser while his wife, a popular host of a book show, has a lot of advertisers, putting the competitive couple at odds. Their marital problems are compounded when two, fish-out-of-water, Brooklyn Italians come to the rural Minnesota town, buy the radio station, and turn everything upside down.  It's "Fargo" meets "My Cousin Vinny" without the blood or the trial lawyers.

What do you want the audience to take away with them?

First, I want them to have a great time. It’s a fun, uplifting musical that will hopefully bring a little cheer to the audience. There’s also an emotional element to the story that’s personal to me that I hope has an impact on the audience. And, of course, I’d like them to hum the songs as they drive home, and then tell all their friends to go see it.

Is there anything you wished had been asked about you or about the play?

The story was inspired by journalist Charles Kuralt who, during his travels around the country, bought a little radio station in Ely, Minnesota, up near the Canadian border. I thought it would be funny if two New York outsiders came to the little north woods Minnesota bar, bought the radio station and collided with the locals. And yet, even though their cultures are very different, they have a lot in common.

Don’t Hug Me, We’re Family runs February 16 – March 25.  Fridays at 8:00 p.m., Saturdays at 8 p.m.,   & Sundays at 2:00 p.m.; $15 - $24.  Buy tickets: or 818-850-9254.  Don’t Hug Me, We’re Family is a guest production at Theatre Unlimited (T.U. Studios), 10943 Camarillo St. (just east of Vineland) North Hollywood. 

Wednesday, February 7, 2018

Andre Barron Interviews Anna Ziegler

The Road Theatre on Magnolia is proud to present the West Coast premiere of Anna Ziegler’s exciting A Delicate Ship. The play opened officially Friday January 19 and runs through March 11. Over the course of the run we will spotlight the director and members of the cast. This week the light shines doubly on director Andre Barron and playwright Anna Ziegler, as we present an interview that Barron recently conducted with Miss Ziegler. Director Barron won BWW LA 2016 ‘Best Direction” for Edward Albee’s “The Play About The Baby” at The Road Theatre Company.

The Road Theatre Company is excited to present the West Coast Premiere of “A Delicate Ship.” What was your initial inspiration for writing the play?

I remember wanting to write a play that took place in a single evening. I'd never done that before. And I wanted the play to build to one major event.

You really play with time and memory in this story. You appear to liquify the past, present and future. What are your thoughts on that concept and what are the challenges in it?

These were definitely the challenges I set for myself.

Your characters are very complex. There is an existential pain and questioning in the hearts and minds of these early 30 year olds. What are they searching for?

As far as the setting goes, and the characters, I think I was in some ways inspired by the building where my husband grew up. I didn't grow up in an apartment building, and it always sounded so wonderful to me, the experience of having some of your best friends so close at hand, these friends you practically live with who become like siblings. It felt very romantic to me. So I wanted to peek behind the curtain at one of those friendships.

Sarah is such an interesting character. There appears to be such an interesting arc in her character. She is faced with many difficult decisions moment by moment throughout the story. With every win she appears to lose something along the way.

I would agree with your assessment.

The character of Sam is such an anchor throughout the story. While Nate is the storm at the center of the play. Two completely different men.


You are having such a renaissance now in your career. Your play ACTUALLY at The Geffen Playhouse was very successful resulting in several Ovation nominations including Original Playwrighting and Best Play. I thank you for all your support on our production and I will see you at The Ovations!

Thank you. Yes. I will see you there!

Don’t miss A Delicate Ship! Reviewer Gil Kaan had the following to say about the play on BWW: Barron smartly directs the action as a continuous build until...(no spoiler alert here) a conclusion. As in Ziegler's other recent play ACTUALLY, all her characters possess questionable, very human characteristics, very open to interpretation
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